Per i followers italiani, ecco una recensione di guitarLayers da lachitarrafelice.it
For our Italian followers. here's a guitarLayers review from Italian website lachitarrafelice.it
Un nuovo modo per insegnare e imparare a suonare la chitarra - Lachitarrafelice
lachitarrafelice.it
Disponibile solo su Apple Store, guitarLayers offre nuove possibilità di insegnamento e apprendimento a un costo tutto sommato conveniente. Ci siamo imbattuti in una app che è davvero interessante; si tratta di guitarLayers ideata da moreOrless music. Meglio dirlo subito, possono farne uso solt..."You know what I think? If I am tired now, I don't mind, because I have eternity to rest." - Andrés Segovia
Voodoo Blues Scale
Teachers creating interesting lessons by mapping uncommon scales with guitarLayers 😉En esta lección te quiero hablar de un sonido blues tan común como interesante: la escala Voodoo Blues. La estructura interna es totalmente idéntica a una escala de blues menor (1 b3 4 b5 5 b7) a excepción de la b7, que se sustituye por la 6. (1 b3 4 b5 5 6) Es sorprendente como cambiar una sola nota en un grupo de sonidos puede tener un efecto tan notable!
carlosvicentblog.com/2018/02/05/la-escala-voodoo-blues/
Today exploring arpeggios inside scales with guitarLayers 😉
The Minor Bebop Scale (Five Shapes)
Here's one of the most used scales among jazz players and exploited today by guitarist of all genres.
All shapes and notes degrees automatically obtained with guitarLayers guitarlayers.com
Thank you 🙂
Thank you
thank you
Thanks
Thank you!
Lovely thnx
Looks like a C Dorian scale with the added major 3rd ..
👍
C-7 e F7 bebop
Yassine Ezz..
Harmonic Major Scale
Here the Harmonic Major scale Vertical Shapes showing notes degrees and the same vertical shapes without repeated notes respectively on the 2rd and 3nd string.
All shapes automatically obtained with guitarLayers guitarlayers.com
New 2.3.0 update available on the App Store!
With this update you can now work with the following tunings:
Guitar 6 Strings C G C F A D (Drop C)
Guitar 6 Strings D A D G B E (Drop D)
Guitar 6 Strings D A D G B D (Double Drop D)
Guitar 6 Strings C G C G C E (Open C)
Guitar 6 Strings D A D F# A D (Open D)
Guitar 6 Strings E B E G# B E (Open E)
Guitar 6 Strings D G D G B D (Open G)
Guitar 6 Strings E A E A C# E (Open A)
Guitar 6 Strings D G C G C D (Open Page)
Guitar 6 Strings C A C G C E (C6)
Guitar 6 Strings D A D G A D (Celtic)
Guitar 8 Strings A D G D G C E A
Guitar 8 Strings A E A D G B E A
C Diminished Scale
Constructing a C Diminished Scale shape with a convenient custom notes-per-string distribution (1 4 4 2 4 3)
guitarlayers.com
guitarLayers
C Diminished Scale
Constructing a C Diminished Scale shape with a convenient custom notes-per-string distribution (1 4 4 2 4 3)
Pentatonic Scales inside the Lydian Mode
Interesting lesson about Lydian Mode and related Pentatonic scales, with guitarLayers 😉El modo Lidio, alberga la posibilidad de tocar tres escalas pentatónicas sin incluir ninguna nota que se salga de la sonoridad.
Modo Lidio: 1 2 3 #4 5 6 7
Pentatónica mayor desde el grado I: 1 2 3 5 6
Pentatónica mayor desde el grado II: 2 3 #4 6 7
Pentatónica mayor desde el grado V: 2 3 5 6 7
En esta lección lo explico e incluyo diagramas para este y los otros seis modos griegos:
carlosvicentblog.com/2017/11/13/pentatonicas-contenidas-en-modos-diatonicos/
Izzy W Starr ....... lol.... wot was I blabbing on about the other day?😉 Pentatonic scales within Lydian....
Young and promising student in a classroom with guitarLayers 😉Young and promising student in a classroom with guitarLayers 🙂
pity this app/software is only available on mac and not windows....would love to have it....
Happy Birthday (some days ago) to one of the most important and influential jazz guitarist in history, Mr. Pat Martino!
There would be no modern jazz guitarist without him today.
Three-Note Voicings
It is not that uncommon, among jazz musicians, to use three-note chords that can work as more complex chords structures.
Three-notes chords often are more handy and essential and, if we have the ability to obtain quickly their inversions, we can obtain a lot of voicings that can work as seventh chords.
In the picture below we have the notes C D Ab that can work as: Amin (maj7), Fm6, E7 (b13), Bb7 (9).
Try yourself the sound ! 😉
All three-notes chords, their inversions on string sets and their equivalent seventh-chords, are automatically generated with guitarLayers guitarlayers.com
Arpeggios inside the Major Scale
One of the most clicked posts on guitarLayers page...
guitarlayers.comArpeggios within the major scale
Each of the twelve major scale vertical shapes harmonized with four-notes diatonic arpeggios.
All diagrams, layering, harmonizations automatically obtained with guitarLayers
Handy!
🎶.Very good 🎸👏👏👏👏
Sviluppate per android, grazie.
Please make it available for windows
Magda Alexandra Grieco
Noel Carlon
Guitar Students and Teachers,
summer is a great time for getting away from work, relax and recharge ourselves, and even for learning and developing just for fun and return to work as a better version of you. 😉
guitarLayers
Guitar Lovers, Students and Teachers,
here’s all you need to visualize any musical or theory concept on the guitar fretboard.
Look at the video and discover how guitarLayers can help you!
we will inform you about that
Waiting for this for iPhone and iPad .
I love Guitar Layers! When for Ipad?
When will this be available on android?
Melodic Minor Scale MODES: 3 NOTES-PER-STRINGS
Melodic minor scale and its Modes are generally used to play, with no "avoid notes", over some specific chords with certain tensions as showed below:
C melodic minor -> Cm (maj7)
D phrygian natural 6 -> D7 sus4 (b9)
Eb lydian augmented -> Eb maj7 (#5)
F lydian dominant -> F 7 (#11)
G mixolydian b13 -> G7 (b13)
A locrian natural 2 -> A min7 b5 (9)
B superlocrian -> B7 altered
All scale modes and note-per-string distribution, automatically obtained with guitarLayers guitarlayers.com
Lost as hell on this !! Where do place my damn fingers!!!
Somebody help me to understand this
Vindell Smith
Fernando Marín , José Caballero Olivares
Overlapping scales & related chords
Automatically finding chords (and inversions) that harmonize Melodic Minor Modes.
Overlapping chords with melodic minor scales shapes, all 12 keys, with guitarLayers.
guitarlayers.com
Most Active Fans
By regulary interacting with our contents or sharing them you will be eligible as "most active member" by FB.
We will publish periodically some special and exclusive contents for our most active fans! So... keep interacting and sharing 😉
Modes of the Melodic Minor Scale
(visualized by degrees)
Melodic minor scale and its Modes are generally used to play, with no "avoid notes", over some specific chords with certain tensions as showed below:
C melodic minor -> Cm (maj7)
D phrygian natural 6 -> D7 sus4 (b9)
Eb lydian augmented -> Eb maj7 (#5)
F lydian dominant -> F 7 (#11)
G mixolydian b13 -> G7 (b13)
A locrian natural 2 -> A min7 b5 (9)
B superlocrian -> B7 altered
Important note for our most active fans:
by regulary interacting or sharing our contents you will be eligible as a "TOP Fan" by FB.
We will publish periodically some special and exclusive contents for our most active fans! So... keep interacting and sharing 😉
Modes of the Melodic Minor Scale with Scale/Chords Overlapping soon available for our Most Active Fans!
Vertical CAGED shapes, scale's modes and scale's visualization by degrees automatically obtained with guitarLayers guitarlayers.com
This is very helpful. I am still having problems putting my arms and ears around the sound of this scale and how to really use it. Trying though!!
Thank you so much 🙂
Rad thanks
Excelente información
Thanks great info
Amazing! Thank you for this
Thanks A Ton
Thanks!
Personally, I prefer 3 notes per strings. I really don't find these 4 notes/2 notes patterns useful at all
My mind has blown with it😁😅still learning...
Personally, I use this knowledge for triad pair improvisation. B altered: play A dim B dim, or C minor D minor, or Fmaj G maj. Other combinations eg with Eb aug are also possible of course, but using 2 neighbouring triads of the same quality saves thinking while playing.
Any chance of an iPhone app?
Romain GuitarCook Morlot
Danny Holloway
Santina
Pentatonic Scale on Two Strings
Visualizing scales horizontally on the fretboard allows us to play them exploring new melodic ideas and new intervallic patterns.
Here a C minor Pentatonic Scale on sets of Two adjacent strings and sets of Two alternate strings for string skipping approach .
Explore them, find your way and please... Share!
Scale copied on multiple fretboard and arranged on string sets automatically with guitarLayers guitarlayers.com
Minor Seventh Chord Substitution
In many situations, where we have a bass player, we can avoid to play the root and substitute it with the ninth.
If you apply this process to all the inversions of a minor seventh chord you will come up with the inversions of a major seventh chord, as you can see on the diagrams.
So that, any major seventh chord and its inversions can work as substitution of a minor seventh chord. (e.g. Cm7 -> Ebmaj7)
Substitutions process, inversions on strings sets and chord identification, obtained automatically with guitarLayers guitarLayers.com
2 5 1 Minor Progression in C
Five Scales Shapes + Arpeggios in C
For guitarLayers users: on the forum the .exgl file containing Five Scales Shapes + Arpeggios in C. Import it with guitarLayers, then clone it to edit and transpose shapes in all keys. Use keys modifiers [Shift] + [Ctrl] to transpose automatically shapes of all fretboards in a group!
www.guitarlayers.com/forum/main-forum/
![2 5 1 Minor Progression in C
Five Scales Shapes + Arpeggios in C
For guitarLayers users: on the forum the .exgl file containing Five Scales Shapes + Arpeggios in C. Import it with guitarLayers, then clone it to edit and transpose shapes in all keys. Use keys modifiers [Shift] + [Ctrl] to transpose automatically shapes of all fretboards in a group!
https://www.guitarlayers.com/forum/main-forum/](https://scontent.xx.fbcdn.net/v/t1.0-9/s720x720/65010892_1239934616178530_1838638854756630528_o.jpg?_nc_cat=110&_nc_oc=AQml02Nkiweyd0g0NXX9n5vC6T5bDYT0r2qi-adR4jeDXVGxAbA-4mgDL4N1Rn0sMDY&_nc_ht=scontent.xx&oh=a53374c258a8b1a813d2ffaa2110eaaf&oe=5E1B99A0)
2 5 1 Minor Progression
Today (and not just today!) learning how to improvise over this must-know progression, in Twelve Keys, by visualizing scale-arpeggio shapes in Twelve Positions!
Scale-arpeggio vertical shapes, overlapping, transposition in all keys and in all positions automatically obtained with guitarLayers guitarlayers.com
Where do you get this? I bought the program already.
Damn, nothing for iOS, i would purchase this in a split-second! 😞😞😞
Thanks to the great guitarist and guitar teacher Kenny Serane from Montréal, Canada! 😉
Diatonic Sixths Intervals
An interesting lesson from the Chilean guitarist Alvaro Severino Ramirez about diatonic intervals using guitarLayers.
AlvaroSeverino
lección 6°. intervalos de 6° diatonicas para tu rutina diaria
“I see myself forever and ever as the ridiculous [person], the lonely soul, the wanderer, the restless frustrated artist, the [person] in love with love, always in search of the absolute, always seeking the unattainable.” - Henry Miller, Stand Still Like the Hummingbird
![“I see myself forever and ever as the ridiculous [person], the lonely soul, the wanderer, the restless frustrated artist, the [person] in love with love, always in search of the absolute, always seeking the unattainable.” - Henry Miller, Stand Still Like the Hummingbird](https://scontent.xx.fbcdn.net/v/t1.0-9/62477228_1236649383173720_1614576922094731264_n.jpg?_nc_cat=111&_nc_oc=AQkxvjyd1D9-OcpJBJGkOEJT--VKKRDmgDIBBMwKpLSjedv6WHiqPICVxunujdsWtCA&_nc_ht=scontent.xx&oh=74f0a60c10750a4dd3bfbed23619f9ce&oe=5E2A1D90)
Triads inside Melodic Minor:
Second inversion
Here we have triads, in Second Inversion, inside each one of the five melodic minor scale shapes.
For those who missed them, look at the previous posts on the page to download the same scale harmonization with triads in Root Position and First Inversion.
All shapes, scale harmonization, triad inversions, scale-arpeggio overlapping automatically generated with guitarLayers. guitarlayers.com
Shell Voicings
Shell voicings are the most basic seventh chords shapes on the guitar. They are seven chords without the 5th degree.
Here you can see the most common shapes of the Cmaj7, C7 and Cmin7 chords with the root on the 5th strings (yellow shapes) and with the root on 6th string (blue shapes).
Diagrams automatically obtained with guitarLayers guitarlayers.com
