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2 months ago

Happy Bday to you Mr. Steve Vai! ❤❤❤ ... See MoreSee Less

Happy Bday to you Mr. Steve Vai! ❤❤❤
3 months ago

From D Dorian to G Super Locrian

two very common scales to play with, on a 2 5 1 progression.
😎😎😎
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3 months ago

Three Notes-per-String, Four Notes-per-String...
Custom Notes-per-String Shapes! 😎
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3 months ago

Chromatic Scale, two Octaves

Try to play it, up and down from A to A, the best way you can and then try to find other alternative fingerings and shapes to work on. 😉
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Chromatic Scale, two Octaves Try to play it, up and down from A to A, the best way you can and then try to find other alternative fingerings and shapes to work on. ;)
3 months ago

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3 months ago

The Dominant Pentatonic

Dominant pentatonic is a widely used scale to add some different flavour to the minor pentatonic.Among the possibilities, it can be used, of course, in a bluesy context but also over specific chords. For example, you can use the C dominant pentatonic on a blues in G, or on either over a C7 or a Gm7 chord. Here five basic shapes and four very interesting 2-3 Notes-Per-Strings symmetric shapes.

Vertical Shapes, custom Notes-Per-String distribution, intervals map, automatically obtained with GuitarLayers guitarlayers.com
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The Dominant Pentatonic Dominant pentatonic is a widely used scale to add some different flavour to the minor pentatonic.Among the possibilities, it can be used, of course, in a bluesy context but also over specific chords. For example, you can use the C dominant pentatonic on a blues in G, or on either over a C7 or a Gm7 chord. Here five basic shapes and four very interesting 2-3 Notes-Per-Strings symmetric shapes. Vertical Shapes, custom Notes-Per-String distribution, intervals map, automatically obtained with GuitarLayers guitarlayers.comImage attachment

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There's a lot of harmonic leeway over Dominant 7/mixolydian harmony; from the woozy West Side blues of Magic Sam to the mellow Memphis rock-a-billy of Scotty Moore to the snarly proto-metal of Link Wray.

4 months ago

Minor Seventh Chord Substitution

Some jazz tricks to obtain new chord voicings or using better those we already know... 😉😉😎

youtu.be/3fC1RsKa_iY
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4 months ago

Major Triad and Inversions on Two Strings

Although it is not so common to learn arpeggios of triads on two strings, by combining these building blocks we can obtain almost any more complex shape.
Here we have arpeggios with 1-2 Notes-Per-Strings (Red) and 2-1 NPS (Blue) on five string sets.

All Arpeggios and Inversions on String Sets, Notes-per-string distribution, Intervals map, automatically obtained with GuitarLayers guitarlayers.com
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4 months ago

We know just one way to create and exploring new things on the guitar better than this one... and it is searching and playing them directly on the instrument. 😎
youtu.be/K8c-wVKZMxY
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4 months ago

Happy Birthday Eric! ❤ ... See MoreSee Less

Happy Birthday Eric! ❤

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Sir Eric Clapton 🎸👑

Happy Birthday Mr. Eric Longlife and more grace

4 months ago

This video shows how to harmonize automatically a given scale, with 7th chords and inversions, with a few clicks.

See more videos on our website guitarlayers.com
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4 months ago

How to obtain Vertical Shapes for scales and arpeggios with guitarLayers 👇👇👇 ... See MoreSee Less

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Hi, how are you? Any predictions for Guitar Layers being released for iOS? Thank you.

4 months ago

Open Triads and related String Sets with GuitarLayers 👇👇👇 ... See MoreSee Less

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4 months ago

This 1-minute video shows how to manage multiple fretboards projects with Guitarlayers. 👇👇👇 ... See MoreSee Less

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4 months ago

Seven shapes, 3 Notes-Per-String. Each Shape... all 7 Modes! 😉

Each shape, works for all seven modes. Every mode has its own degrees map.
You can hear the right sound of each mode by playing these shapes over a bass pedal with the same root of the mode’s root. Different shapes will sound identical as they contain the same notes.
In addition you can ear the characteristic sound of each mode by placing its tensions on the strong beats of the measure so they are not perceived as passing tones and loose their harmonic value.

3NPS shapes, Modes and intervals map, automatically obtained with guitarLayers. guitarlayers.com.
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Make one with the arpegios, target notes as well and its gonna be perfect 🧛‍♂️

This shape is one distributed like a bullets in a revolver with infinite chambers and rounds... It is the same... You just shoot and empty chamber by chamber...

Very useful. Thank you.

You got it Right 👌👍

4 months ago

MODES ARE NOT SHAPES

This video shows how to obtain modes of a given scale with GuitarLayers 👇👇👇
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4 months ago

“I like to watch the news, because I don't like people very much and when you watch the news ... if you ever had an idea that people were really terrible, you could watch the news and know that you're right.” - Frank Zappa ... See MoreSee Less

“I like to watch the news, because I dont like people very much and when you watch the news ... if you ever had an idea that people were really terrible, you could watch the news and know that youre right.” - Frank Zappa

Comment on Facebook

Mit dem zweiten sieht man besser 😊

Peer Neeleman

5 months ago

Five Shapes. Each Shape... 7 Modes!

A very useful map about Major Scale's Modes. Five basic shapes showing scale's degrees.
Stay tuned for the seven 3 Notes-per-string map, same concept 😉

All Shapes, modes, degrees map, automatically obtained with GuitarLayers guitarlayers.com
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Comment on Facebook

I have the software..how do I manage these views ?

Please you have map scale

This is so helpful😊😊😊

What is a degree

Bro ... Roy Gilferdinan

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5 months ago

Mixolydian Pentatonic Scale

The Mixolydian Pentatonic Scale is a less known scale but widely used by guitarists like Eric Johnson, Robben Ford, Joe Bonamassa and Eric Gales just to mention a few. It works very well when used over Dom7 chords.
Here some useful Vertical Shapes and 2-3 Notes-Per-String Shapes.

This scale has been automatically shaped with the GuitarLayers Vertical Shapes and Notes-Per-Strings functions. guitarlayers.com
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Mixolydian Pentatonic Scale The Mixolydian Pentatonic Scale is a less known scale but widely used by guitarists like Eric Johnson, Robben Ford, Joe Bonamassa and Eric Gales just to mention a few. It works very well when used over Dom7 chords. Here some useful Vertical Shapes and 2-3 Notes-Per-String Shapes. This scale has been automatically shaped with the GuitarLayers Vertical Shapes and Notes-Per-Strings functions. guitarlayers.comImage attachmentImage attachment
5 months ago

The Barry Harris' Minor 6th Dininished scale

Another scale to harmonize that Barry Harris says everybody must know! Enjoy...

GuitarLayers lets you to harmonize a given scale in 4 steps:

1. Select Harmonization and choose a scale
2. Create a chord or arpeggio on the first scale degree
3. Select a String Set
4. Browse all the chords built on the next scale degrees
5. Repeat step 4 by selecting another string set, drop voicing or inversion

Find more on guitarlayers.com
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The Barry Harris Minor 6th Dininished scale Another scale to harmonize that Barry Harris says everybody must know! Enjoy... GuitarLayers lets you to harmonize a given scale in 4 steps: 1. Select Harmonization and choose a scale 2. Create a chord or arpeggio on the first scale degree 3. Select a String Set 4. Browse all the chords built on the next scale degrees 5. Repeat step 4 by selecting another string set, drop voicing or inversion Find more on guitarlayers.comImage attachment
5 months ago

C Augmented (3 tonic scale) Harmonized

Finding 3 notes-chords movement by harmonizing automatically the C Augmented scale on string sets. 😎
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C Augmented (3 tonic scale) Harmonized Finding 3 notes-chords movement by harmonizing automatically the C Augmented scale on string sets. 😎

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Any expect. for Android ?

5 months ago

The Barry Harris' 6th Diminished Scale

The Barry Harris harmony approach is a way of thinking about jazz chords and melodies based on specific 8-note scales.
Instead of using the usual 7-note scales, 8-note scales provide a way for you to discover new and exciting chord voicings. You can use these to unlock cool scale secrets that you can use to build any chord in any key.
Try to harmonize that magical scale that Barry Harris says everybody must know!

GuitarLayers allows users to harmonize automatically the Barry Harris' Scale (and many others) on all String Sets, with all chord Inversions and Drop voicings (24 possible voicings for each 7th chord!) with just a few clicks.
Find more on guitarlayers.com
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The Barry Harris 6th Diminished Scale The Barry Harris harmony approach is a way of thinking about jazz chords and melodies based on specific 8-note scales. Instead of using the usual 7-note scales, 8-note scales provide a way for you to discover new and exciting chord voicings. You can use these to unlock cool scale secrets that you can use to build any chord in any key. Try to harmonize that magical scale that Barry Harris says everybody must know! GuitarLayers allows users to harmonize automatically the Barry Harris Scale (and many others) on all String Sets, with all chord Inversions and Drop voicings (24 possible voicings for each 7th chord!) with just a few clicks. Find more on guitarlayers.comImage attachment
6 months ago

GuitarLayers 2.4.0 update is now available on the App Store!

New Scales added: available as presets and for automatic harmonization with chords or arpeggios:
Barry Harris Sixth Diminished Major; Barry Harris Sixth Diminished Melodic Minor; Messiaen 2nd Mode Truncated; Messiaen 3rd Mode; Messiaen 4th Mode Inverse; Messiaen 5th Mode; Messiaen 5th Mode Inverse; Messiaen 6th Mode; Messiaen 6th Mode Inverse; Messiaen 7th Mode; Messiaen 7th Mode Inverse; Major Hexatonic; Minor Hexatonic; Tritone;

New Instruments added:
Guitar 6 Strings D G C F Bb Eb (All Fourths); Guitar 6 Strings DGCFAD (OneToneDown) Guitar 7 Strings ADGCFAD; Mandolin 4 Strings G D A E; Mandolin 4 Strings G D G D; Mandolin 4 Strings G D G B; Mandolin 4 Strings G D A E;
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Hope to see some day your app available on win/Android ! It's look very easy to use and perfect for educational stuff

7 months ago

Altered scale and II V I progression

Here are shown a D Dorian scale over a Dm7, a G Superlocrian scale over a G7 and a C Ionian scale over a Cmaj7.
Try to practice them by improvising over a C II V I backing track and then try to figure out the remaining scale shapes along the fretboard. 😉

All shapes, modes, layering, automatically obtained with GuitarLayers guitarlayers.com
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Altered scale and II V I progression Here are shown a D Dorian scale over a Dm7, a G Superlocrian scale over a G7 and a C Ionian scale over a Cmaj7. Try to practice them by improvising over a C II V I backing track and then try to figure out the remaining scale shapes along the fretboard. 😉 All shapes, modes, layering, automatically obtained with GuitarLayers guitarlayers.com

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Big fan off ur thnx

Alted(com.dim/holton/ridan7/alt dorian)

10 months ago

Eric Gales Phrygian Dominant Sound

In a epic guitar duel with Joe Bonamassa, guitarist Eric Gales, over an E pedal, plays an E minor pentatonic mixed with a scale derived from the A Harmonic minor scale.
Here are the scale's notes on the fretboard with some interesting easy to play 3 notes-per-string patterns.
Check out the video and find your way to play these shapes! 😉

All shapes, NPS patterns and degrees generated automatically with guitarLayers guitarlayers.com
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Eric Gales Phrygian Dominant Sound In a epic guitar duel with Joe Bonamassa, guitarist Eric Gales, over an E pedal, plays an E minor pentatonic mixed with a scale derived from the A Harmonic minor scale. Here are the scales notes on the fretboard with some interesting easy to play 3 notes-per-string patterns. Check out the video and find your way to play these shapes! ;) All shapes, NPS patterns and degrees generated automatically with guitarLayers guitarlayers.comImage attachment

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E7(9- 11 13-) it's five in A min Harm

Does this translate to what he's doing in standard tuning? His lowest ring is on the bottom 🤔

11 months ago

"I don’t see how it’s possible to have too much technique or knowledge.
I’m a big believer in knowing why you want to learn something, and I suspect that allotting practice time on that basis can help to solve many players’ blind alley problems." - Guthrie Govan
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I don’t see how it’s possible to have too much technique or knowledge. I’m a big believer in knowing why you want to learn something, and I suspect that allotting practice time on that basis can help to solve many players’ blind alley problems. - Guthrie Govan

Comment on Facebook

That Charvel neck!!

12 months ago

Major & Minor Pentatonic Overlapped

Here major and minor pentatonic scales overlapped in the same fretboard portion in order to visualize, compare and play them switching easily from major and minor or blending them as it usually happens in the blues.

All shapes and layering automatically obtained with guitarLayers guitarlayers.com
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Major & Minor Pentatonic Overlapped Here major and minor pentatonic scales overlapped in the same fretboard portion in order to visualize, compare and play them switching easily from major and minor or blending them as it usually happens in the blues. All shapes and layering automatically obtained with guitarLayers guitarlayers.com

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Still no android version 🤔

1 years ago

"Playing scales is like a boxer skipping rope or punching a bag. It's not the thing in itself; it's preparatory to the activity." - Barney Kessel ... See MoreSee Less

Playing scales is like a boxer skipping rope or punching a bag. Its not the thing in itself; its preparatory to the activity. - Barney Kessel

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Always liked Barney, quite a comedian as well !

1 years ago

G Major Blues Scale

Despite its minor counterpart the Major Blues Scale is probably a bit less used. When mastered it produces a very bluesy elegant sound perfect for many major harmonic progressions, especially when it is tastefully combined with the Minor Blues Scale.

All shapes automatically obtained with guitarLayers guitarlayers.com
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G Major Blues Scale Despite its minor counterpart the Major Blues Scale is probably a bit less used. When mastered it produces a very bluesy elegant sound perfect for many major harmonic progressions, especially when it is tastefully combined with the Minor Blues Scale. All shapes automatically obtained with guitarLayers guitarlayers.comImage attachment

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#9 or +9

This seems Keith richardsy

No b5? b7?

So it is basically just a major pentatonic with a passing minor third..?

Major Pentatonic added #9

Wherever the major chord is? Just go back 3 frets and play pentatonic minor. Done. 🙂

Its just the pentatonic scale with a b5 as a passing tone.

Will this come to android? This is exactly the app I've been looking for to work my scales

Jay Allan

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1 years ago

Minor Triad Arpeggio
5 basic + 10 Vertical shapes

Triads are fundamental music building blocks. Here are some Minor Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones.
All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇
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Minor Triad Arpeggio 5 basic + 10 Vertical shapes Triads are fundamental music building blocks. Here are some Minor Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones. All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇Image attachment

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bhai ye kya hai? Sandesh Sorate

1 years ago

Major Triad Arpeggio
5 basic + 10 Vertical shapes

Triads are fundamental music building blocks. Here are some Major Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones.

All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇 👇
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Major Triad Arpeggio 5 basic + 10 Vertical shapes Triads are fundamental music building blocks. Here are some Major Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones. All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇 👇Image attachment
1 years ago

"Paul is human, you can relate to him. [...] Though he obviously has bags of inherent talent, he became that good because he practised, which gives hope to everybody. " - Jim Davies on Paul Gilbert ... See MoreSee Less

Paul is human, you can relate to him. [...] Though he obviously has bags of inherent talent, he became that good because he practised, which gives hope to everybody. - Jim Davies on Paul Gilbert
1 years ago

MODES: chord/scale mapping

Here some diagrams containing Dorian and Mixolydan shapes mapped respectively over some minor 7th and dominant 7th chord shapes along the fretboard.

All shapes, scale modes, layering automatically obtained with guitarLayers guitarlayers.com
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MODES: chord/scale mapping Here some diagrams containing Dorian and Mixolydan shapes mapped respectively over some minor 7th and dominant 7th chord shapes along the fretboard. All shapes, scale modes, layering automatically obtained with guitarLayers guitarlayers.comImage attachment

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Cool. Too bad there's no windows version.

1 years ago

Matteo Mancuso killer lick on the Diminished Scale

This video shows young iper-talended guitarist Matteo Mancuso on his introductory lick on "The Chiken". Matteo combines a typical 4th’s pattern on the diminished h/w scale with some arpeggios built with the notes of the scale. The result, empowered by Matteo’s astonishing natural technicque and musical feeling, is insane!
Stay tuned for the full article.

Matteo uses guitarLayers and is a guitarLayers artist. guitarlayers.com
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Matthew Burrows

Grande Matteo !!

1 years ago

Minor (Maj7) Arpeggio
12 Vertical Shapes

All shapes automatically obtained with GuitarLayers guitarlayers.com
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Minor (Maj7) Arpeggio 12 Vertical Shapes All shapes automatically obtained with GuitarLayers guitarlayers.comImage attachment

Comment on Facebook

Any IOS or Windows version planed ?

Funny I just discovered the beauty if Min/Maj7 and now this!

2 years ago

Half Diminished Arpeggio
Vertical Shapes
👇

All shapes obtained automatically with GuitarLayers guitarlayers.com
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Half Diminished Arpeggio Vertical Shapes 👇 All shapes obtained automatically with GuitarLayers guitarlayers.com

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Always wondering what these Chords/arpeggios were called. Benny Weinman from The Dillinger Escape Plan uses them alot!

2 years ago

Voice Leading on Stella by Starlight

A great video tutorial about voice leading using Drop 2 and no Drop voicing by Italian jazz guitarist Fabrizio Brusca. All voicings in this video are automatically generated with guitarLayers. Fabrizio is a very good musician and advanced GL user. Enjoy!
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2 years ago

En esta ocasión te propongo aprender a utilizar la vieja escala pentatónica menor para conseguir diferentes sonoridades. Ello implica ubicarla a diferentes distancias de la fundamental y sobre todo, aprender a frasear de un modo diferente y a resolver en la nota deseada. Hay muchísimo por aprender aquí! Lección completa con esta y más opciones en el Blog:

carlosvicentblog.com/2015/02/09/multiplicando-la-pentatonica-menor-por-12/
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Guitar Layer for PC Please!! 🙏

2 years ago

Minor 6th Drop2 Voicings

Hi friends! Here minor 6th voicings and inversions on three string sets, showed by degree.

All voicings and inversions on strings sets generated automatically with guitarLayers guitarlayers.com
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Minor 6th Drop2 Voicings Hi friends! Here minor 6th voicings and inversions on three string sets, showed by degree. All voicings and inversions on strings sets generated automatically with guitarLayers guitarlayers.com

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Any news on realising the software for pc this year? Thanks

2 years ago

Rare photos of... ... See MoreSee Less

Rare photos of...Image attachmentImage attachment

Comment on Facebook

Not rare. I have all of these & much more .

Quinten Evans

Jimi Hendrix in the airborne infantry.

Jimi ❤️

2 years ago

Double Drop D tuning
DADGBD

Now guitarLayers supports (and can find chords on) some of the most common drop tunings: here's a beautiful sounding Gm6 chord 😉
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Double Drop D tuning DADGBD Now guitarLayers supports (and can find chords on) some of the most common drop tunings: heres a beautiful sounding Gm6 chord ;)
2 years ago

"You know what I think? If I am tired now, I don't mind, because I have eternity to rest." - Andrés Segovia ... See MoreSee Less

You know what I think? If I am tired now, I dont mind, because I have eternity to rest. - Andrés Segovia
2 years ago

Voodoo Blues Scale

Teachers creating interesting lessons by mapping uncommon scales with guitarLayers 😉En esta lección te quiero hablar de un sonido blues tan común como interesante: la escala Voodoo Blues. La estructura interna es totalmente idéntica a una escala de blues menor (1 b3 4 b5 5 b7) a excepción de la b7, que se sustituye por la 6. (1 b3 4 b5 5 6) Es sorprendente como cambiar una sola nota en un grupo de sonidos puede tener un efecto tan notable!

carlosvicentblog.com/2018/02/05/la-escala-voodoo-blues/
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Voodoo Blues Scale Teachers creating interesting lessons by mapping uncommon scales with guitarLayers ;)

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Mary ThePhoenix Di Canito Ignazio Schirone

2 years ago

Today exploring arpeggios inside scales with guitarLayers 😉 ... See MoreSee Less

Today exploring arpeggios inside scales with guitarLayers ;)

Comment on Facebook

I hope it will become available for ipad too...

Hey which app is that

2 years ago

The Minor Bebop Scale (Five Shapes)

Here's one of the most used scales among jazz players and exploited today by guitarist of all genres.
All shapes and notes degrees automatically obtained with guitarLayers guitarlayers.com
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The Minor Bebop Scale (Five Shapes) Heres one of the most used scales among jazz players and exploited today by guitarist of all genres. All shapes and notes degrees automatically obtained with guitarLayers guitarlayers.com

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C-7 e F7 bebop

Looks like a C Dorian scale with the added major 3rd ..

Thank you!

thank you

Thanks

Thank you 🙂

Lovely thnx

👍

Yassine Ezz..

Thank you

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2 years ago

Happy Birthday Steve Ray Vaughan! ... See MoreSee Less

Happy Birthday Steve Ray Vaughan!
2 years ago

Harmonic Major Scale

Here the Harmonic Major scale Vertical Shapes showing notes degrees and the same vertical shapes without repeated notes respectively on the 2rd and 3nd string.

All shapes automatically obtained with guitarLayers guitarlayers.com
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Harmonic Major Scale Here the Harmonic Major scale Vertical Shapes showing notes degrees and the same vertical shapes without repeated notes respectively on the 2rd and 3nd string. All shapes automatically obtained with guitarLayers guitarlayers.comImage attachmentImage attachment
2 years ago

New 2.3.0 update available on the App Store!

With this update you can now work with the following tunings:
Guitar 6 Strings C G C F A D (Drop C)
Guitar 6 Strings D A D G B E (Drop D)
Guitar 6 Strings D A D G B D (Double Drop D)
Guitar 6 Strings C G C G C E (Open C)
Guitar 6 Strings D A D F# A D (Open D)
Guitar 6 Strings E B E G# B E (Open E)

Guitar 6 Strings D G D G B D (Open G)
Guitar 6 Strings E A E A C# E (Open A)

Guitar 6 Strings D G C G C D (Open Page)
Guitar 6 Strings C A C G C E (C6)
Guitar 6 Strings D A D G A D (Celtic)

Guitar 8 Strings A D G D G C E A

Guitar 8 Strings A E A D G B E A
... See MoreSee Less

Comment on Facebook

Win or android would be nice...

Still no windows version?

2 years ago

C Diminished Scale

Constructing a C Diminished Scale shape with a convenient custom notes-per-string distribution (1 4 4 2 4 3)
guitarlayers.com
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2 years ago

Pentatonic Scales inside the Lydian Mode

Interesting lesson about Lydian Mode and related Pentatonic scales, with guitarLayers 😉El modo Lidio, alberga la posibilidad de tocar tres escalas pentatónicas sin incluir ninguna nota que se salga de la sonoridad.

Modo Lidio: 1 2 3 #4 5 6 7
Pentatónica mayor desde el grado I: 1 2 3 5 6
Pentatónica mayor desde el grado II: 2 3 #4 6 7
Pentatónica mayor desde el grado V: 2 3 5 6 7

En esta lección lo explico e incluyo diagramas para este y los otros seis modos griegos:

carlosvicentblog.com/2017/11/13/pentatonicas-contenidas-en-modos-diatonicos/
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Pentatonic Scales inside the Lydian Mode Interesting lesson about Lydian Mode and related Pentatonic scales, with guitarLayers ;)

Comment on Facebook

Izzy W Starr ....... lol.... wot was I blabbing on about the other day?😉 Pentatonic scales within Lydian....

2 years ago

Young and promising student in a classroom with guitarLayers 😉Young and promising student in a classroom with guitarLayers 🙂 ... See MoreSee Less

Young and promising student in a classroom with guitarLayers ;)

Comment on Facebook

pity this app/software is only available on mac and not windows....would love to have it....

2 years ago

Happy Birthday (some days ago) to one of the most important and influential jazz guitarist in history, Mr. Pat Martino!
There would be no modern jazz guitarist without him today.
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Happy Birthday (some days ago) to one of the most important and influential jazz guitarist in history, Mr. Pat Martino! There would be no modern jazz guitarist without him today.

Comment on Facebook

🎸🎶 Maestro Pat Martino👏👏

🤘

2 years ago

Three-Note Voicings

It is not that uncommon, among jazz musicians, to use three-note chords that can work as more complex chords structures.
Three-notes chords often are more handy and essential and, if we have the ability to obtain quickly their inversions, we can obtain a lot of voicings that can work as seventh chords.
In the picture below we have the notes C D Ab that can work as: Amin (maj7), Fm6, E7 (b13), Bb7 (9).
Try yourself the sound ! 😉

All three-notes chords, their inversions on string sets and their equivalent seventh-chords, are automatically generated with guitarLayers guitarlayers.com
... See MoreSee Less

Three-Note Voicings It is not that uncommon, among jazz musicians, to use three-note chords that can work as more complex chords structures. Three-notes chords often are more handy and essential and, if we have the ability to obtain quickly their inversions, we can obtain a lot of voicings that can work as seventh chords. In the picture below we have the notes C D Ab that can work as: Amin (maj7), Fm6, E7 (b13), Bb7 (9). Try yourself the sound ! ;) All three-notes chords, their inversions on string sets and their equivalent seventh-chords, are automatically generated with guitarLayers guitarlayers.com

Comment on Facebook

Mike Stern often uses this type of voicings!!!

2 years ago

Arpeggios inside the Major Scale

One of the most clicked posts on guitarLayers page...
guitarlayers.com
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