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11 months ago

We wish you all a Merry Christmas!🎄🎄🎄 ... See MoreSee Less

We wish you all a Merry Christmas!🎄🎄🎄
12 months ago

C7(b9,13) arpeggio
from the Diminished H/W scale
guitarlayers.com
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C7(b9,13) arpeggio from the Diminished H/W scale guitarlayers.com
12 months ago

Drop2 (Open) Minor Triads 👇👇👇

All shapes, inversions and drop positions, generated automatically with GuitarLayers. guitarlayers.com
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Drop2 (Open) Minor Triads 👇👇👇 All shapes, inversions and drop positions, generated automatically with GuitarLayers. guitarlayers.comImage attachmentImage attachment

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Will the app ever be available for PC?

12 months ago

Melodic Minor Scale MODES: 3 NOTES-PER-STRINGS
All scale modes and note-per-string distribution, automatically obtained with guitarLayers guitarlayers.com
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Melodic Minor Scale MODES: 3 NOTES-PER-STRINGS All scale modes and note-per-string distribution, automatically obtained with guitarLayers guitarlayers.comImage attachmentImage attachment+4Image attachment
1 years ago

❤️❤️❤️ ... See MoreSee Less

❤️❤️❤️
1 years ago

Check out our
Black Friday offer 😉
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Where’d the forum go?

1 years ago

The Notes-Per-String fretboard constrain: shape automatically any scale or arpeggio with GuitarLayers! 👇👇👇 ... See MoreSee Less

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Fuck your macOS elitism. This have no reason to not be on windows

1 years ago

John Scofield: the film!Joerg Steineck’s film “Inside Scofield” is coming out Dec.1st. Thanks to everyone who contributed. Here’s a link to the trailer. vimeo.com/ondemand/insidescofield ... See MoreSee Less

John Scofield: the film!
1 years ago

Back to school...

get GuitarLayers now and get ready to start a new year with your guitar!
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Back to school... get GuitarLayers now and get ready to start a new year with your guitar!

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Make a version for PC! This could help so many guitar teachers teach to their student online including me!

2 years ago

Mixolydian vs Lydian Dominant (5 shapes)

Both useful to improvise over dominant chords with a different color, those two scale have six note in common. The following diagrams are useful to compare the two scales on the same fretboard portion in order to switch easily between the two. 👇👇👇

Scales, vertical shapes, intervals automatically obtained with GuitarLayers guitarlayers.com
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Mixolydian vs Lydian Dominant (5 shapes) Both useful to improvise over dominant chords with a different color, those two scale have six note in common. The following diagrams are useful to compare the two scales on the same fretboard portion in order to switch easily between the two. 👇👇👇 Scales, vertical shapes, intervals automatically obtained with GuitarLayers guitarlayers.comImage attachmentImage attachment+2Image attachment
2 years ago

Interesting contents, created automatically using GuitarLayers, by Carlos Vicent 😉 ... See MoreSee Less

Interesting contents, created automatically using GuitarLayers, by Carlos Vicent 😉
2 years ago

Four-notes arpeggios inside the Major Scale

Four-notes diatonic arpeggios inside each one of the 12 major scale Vertical Shapes 👇👇👇

All diagrams, vertical shapes, scale harmonization automatically obtained with GuitarLayers guitarlayers.com
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Four-notes arpeggios inside the Major Scale Four-notes diatonic arpeggios inside each one of the 12 major scale Vertical Shapes 👇👇👇 All diagrams, vertical shapes, scale harmonization automatically obtained with GuitarLayers guitarlayers.comImage attachmentImage attachment+Image attachment

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is this posted in the forum?

Rajesh Purigella

Wow thanks!!!!

Thanks for sharing

2 years ago

Starting the day by harmonizing automatically a Diminished Half-Whole scale with triads 🤓 ... See MoreSee Less

Starting the day by harmonizing automatically a Diminished Half-Whole scale with triads 🤓
2 years ago

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where to buy software

2 years ago

The 1 2 5 7 chord structure

The 1 2 5 7 structure is one of the most beautiful modern-sounding structures, used by pop and jazz musicians, and it can work for a variety of chord qualities.
Here are a few interesting voicings and inversions.

All shapes, drop voicings, inversions on strings sets, and harmonic functions, automatically obtained with GuitarLayers. Currently available with a 50% off!
guitarlayers.com
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The 1 2 5 7 chord structure The 1 2 5 7 structure is one of the most beautiful modern-sounding structures, used by pop and jazz musicians, and it can work for a variety of chord qualities. Here are a few interesting voicings and inversions. All shapes, drop voicings, inversions on strings sets, and harmonic functions, automatically obtained with GuitarLayers. Currently available with a 50% off! guitarlayers.comImage attachment

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For Windows 10?

Raphael Mbewe join this group

2 years ago

With GuitarLayers you can automatically obtain all the arpeggios that harmonize a given scale.
This allows you both to play the scale in a non linear-way and to hit chordal target notes inside the scale.👇👇👇
... See MoreSee Less

With GuitarLayers you can automatically obtain all the arpeggios that harmonize a given scale. This allows you both to play the scale in a non linear-way and to hit chordal target notes inside the scale.👇👇👇
2 years ago

Arpeggios inside scales ... See MoreSee Less

Arpeggios inside scales
2 years ago

C Altered Scale (Super Locrian)

Here the C Altered scale on the whole fretboard and with two oblique 4-3 NPS fingerings.

All shapes, intervals, parametric Note-per-String distributions automatically obtained with guitarLayers.
Currently available with a 50% off discount! guitarlayers.com
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C Altered Scale (Super Locrian) Here the C Altered scale on the whole fretboard and with two oblique 4-3 NPS fingerings. All shapes, intervals, parametric Note-per-String distributions automatically obtained with guitarLayers. Currently available with a 50% off discount! guitarlayers.comImage attachmentImage attachment

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I have the program and I really like it. I use it to make charts with each note with a different color. Is there a way to set each note a certain color for all charts without having to redo it for each note for every chart?

2 years ago

F Dominant pentatonic over Cm7

This works to play a minor pentatonic the with 6th instead of the 7th on a minor chord. Try these shapes on a Cm7 vamp. 😉

All shapes, modes of the scale, notes names, notes degrees automatically obtained with guitarLayers guitarlayers.com
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F Dominant pentatonic over Cm7 This works to play a minor pentatonic the with 6th instead of the 7th on a minor chord. Try these shapes on a Cm7 vamp. 😉 All shapes, modes of the scale, notes names, notes degrees automatically obtained with guitarLayers guitarlayers.comImage attachment

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How do you use them? I mean I can play those in a linear way but what can I do with them besides that.

2 years ago

Mr. Franco Cerri ... See MoreSee Less

Mr. Franco Cerri
2 years ago

Overlapping scales in the same fretboard portion:
the key factor to improvise effectively and naturally over chord changes! 😉
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2 years ago

Harmonize a given scale with chords, arpeggios, drop voicings and inversions 😎 ... See MoreSee Less

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2 years ago

Happy Bday to you Mr. Steve Vai! ❤❤❤ ... See MoreSee Less

Happy Bday to you Mr. Steve Vai! ❤❤❤
3 years ago

From D Dorian to G Super Locrian

two very common scales to play with, on a 2 5 1 progression.
😎😎😎
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3 years ago

Three Notes-per-String, Four Notes-per-String...
Custom Notes-per-String Shapes! 😎
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3 years ago

Chromatic Scale, two Octaves

Try to play it, up and down from A to A, the best way you can and then try to find other alternative fingerings and shapes to work on. 😉
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Chromatic Scale, two Octaves Try to play it, up and down from A to A, the best way you can and then try to find other alternative fingerings and shapes to work on. ;)
3 years ago

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3 years ago

The Dominant Pentatonic

Dominant pentatonic is a widely used scale to add some different flavour to the minor pentatonic.Among the possibilities, it can be used, of course, in a bluesy context but also over specific chords. For example, you can use the C dominant pentatonic on a blues in G, or on either over a C7 or a Gm7 chord. Here five basic shapes and four very interesting 2-3 Notes-Per-Strings symmetric shapes.

Vertical Shapes, custom Notes-Per-String distribution, intervals map, automatically obtained with GuitarLayers guitarlayers.com
... See MoreSee Less

The Dominant Pentatonic Dominant pentatonic is a widely used scale to add some different flavour to the minor pentatonic.Among the possibilities, it can be used, of course, in a bluesy context but also over specific chords. For example, you can use the C dominant pentatonic on a blues in G, or on either over a C7 or a Gm7 chord. Here five basic shapes and four very interesting 2-3 Notes-Per-Strings symmetric shapes. Vertical Shapes, custom Notes-Per-String distribution, intervals map, automatically obtained with GuitarLayers guitarlayers.comImage attachment

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There's a lot of harmonic leeway over Dominant 7/mixolydian harmony; from the woozy West Side blues of Magic Sam to the mellow Memphis rock-a-billy of Scotty Moore to the snarly proto-metal of Link Wray.

3 years ago

Minor Seventh Chord Substitution

Some jazz tricks to obtain new chord voicings or using better those we already know... 😉😉😎

youtu.be/3fC1RsKa_iY
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3 years ago

Major Triad and Inversions on Two Strings

Although it is not so common to learn arpeggios of triads on two strings, by combining these building blocks we can obtain almost any more complex shape.
Here we have arpeggios with 1-2 Notes-Per-Strings (Red) and 2-1 NPS (Blue) on five string sets.

All Arpeggios and Inversions on String Sets, Notes-per-string distribution, Intervals map, automatically obtained with GuitarLayers guitarlayers.com
... See MoreSee Less

Major Triad and Inversions on Two Strings Although it is not so common to learn arpeggios of triads on two strings, by combining these building blocks we can obtain almost any more complex shape. Here we have arpeggios with 1-2 Notes-Per-Strings (Red) and 2-1 NPS (Blue) on five string sets. All Arpeggios and Inversions on String Sets, Notes-per-string distribution, Intervals map, automatically obtained with GuitarLayers guitarlayers.comImage attachmentImage attachment+7Image attachment
3 years ago

We know just one way to create and exploring new things on the guitar better than this one... and it is searching and playing them directly on the instrument. 😎
youtu.be/K8c-wVKZMxY
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3 years ago

Happy Birthday Eric! ❤ ... See MoreSee Less

Happy Birthday Eric! ❤

Comment on Facebook

Happy Birthday Mr. Eric Longlife and more grace

Sir Eric Clapton 🎸👑

3 years ago

This video shows how to harmonize automatically a given scale, with 7th chords and inversions, with a few clicks.

See more videos on our website guitarlayers.com
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3 years ago

How to obtain Vertical Shapes for scales and arpeggios with guitarLayers 👇👇👇 ... See MoreSee Less

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Hi, how are you? Any predictions for Guitar Layers being released for iOS? Thank you.

3 years ago

Open Triads and related String Sets with GuitarLayers 👇👇👇 ... See MoreSee Less

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3 years ago

This 1-minute video shows how to manage multiple fretboards projects with Guitarlayers. 👇👇👇 ... See MoreSee Less

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3 years ago

Seven shapes, 3 Notes-Per-String. Each Shape... all 7 Modes! 😉

Each shape, works for all seven modes. Every mode has its own degrees map.
You can hear the right sound of each mode by playing these shapes over a bass pedal with the same root of the mode’s root. Different shapes will sound identical as they contain the same notes.
In addition you can ear the characteristic sound of each mode by placing its tensions on the strong beats of the measure so they are not perceived as passing tones and loose their harmonic value.

3NPS shapes, Modes and intervals map, automatically obtained with guitarLayers. guitarlayers.com.
... See MoreSee Less

Seven shapes, 3 Notes-Per-String. Each Shape... all 7 Modes! ;) Each shape, works for all seven modes. Every mode has its own degrees map. You can hear the right sound of each mode by playing these shapes over a bass pedal with the same root of the mode’s root. Different shapes will sound identical as they contain the same notes. In addition you can ear the characteristic sound of each mode by placing its tensions on the strong beats of the measure so they are not perceived as passing tones and loose their harmonic value. 3NPS shapes, Modes and intervals map, automatically obtained with guitarLayers. guitarlayers.com.Image attachmentImage attachment+4Image attachment

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This shape is one distributed like a bullets in a revolver with infinite chambers and rounds... It is the same... You just shoot and empty chamber by chamber...

Make one with the arpegios, target notes as well and its gonna be perfect 🧛‍♂️

You got it Right 👌👍

Very useful. Thank you.

3 years ago

MODES ARE NOT SHAPES

This video shows how to obtain modes of a given scale with GuitarLayers 👇👇👇
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3 years ago

“I like to watch the news, because I don't like people very much and when you watch the news ... if you ever had an idea that people were really terrible, you could watch the news and know that you're right.” - Frank Zappa ... See MoreSee Less

“I like to watch the news, because I dont like people very much and when you watch the news ... if you ever had an idea that people were really terrible, you could watch the news and know that youre right.” - Frank Zappa

Comment on Facebook

Mit dem zweiten sieht man besser 😊

Peer Neeleman

3 years ago

Five Shapes. Each Shape... 7 Modes!

A very useful map about Major Scale's Modes. Five basic shapes showing scale's degrees.
Stay tuned for the seven 3 Notes-per-string map, same concept 😉

All Shapes, modes, degrees map, automatically obtained with GuitarLayers guitarlayers.com
... See MoreSee Less

Five Shapes. Each Shape... 7 Modes! A very useful map about Major Scales Modes. Five basic shapes showing scales degrees. Stay tuned for the seven 3 Notes-per-string map, same concept ;) All Shapes, modes, degrees map, automatically obtained with GuitarLayers guitarlayers.comImage attachmentImage attachment+2Image attachment

Comment on Facebook

I have the software..how do I manage these views ?

Please you have map scale

This is so helpful😊😊😊

What is a degree

Bro ... Roy Gilferdinan

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3 years ago

Mixolydian Pentatonic Scale

The Mixolydian Pentatonic Scale is a less known scale but widely used by guitarists like Eric Johnson, Robben Ford, Joe Bonamassa and Eric Gales just to mention a few. It works very well when used over Dom7 chords.
Here some useful Vertical Shapes and 2-3 Notes-Per-String Shapes.

This scale has been automatically shaped with the GuitarLayers Vertical Shapes and Notes-Per-Strings functions. guitarlayers.com
... See MoreSee Less

Mixolydian Pentatonic Scale The Mixolydian Pentatonic Scale is a less known scale but widely used by guitarists like Eric Johnson, Robben Ford, Joe Bonamassa and Eric Gales just to mention a few. It works very well when used over Dom7 chords. Here some useful Vertical Shapes and 2-3 Notes-Per-String Shapes. This scale has been automatically shaped with the GuitarLayers Vertical Shapes and Notes-Per-Strings functions. guitarlayers.comImage attachmentImage attachment
3 years ago

The Barry Harris' Minor 6th Dininished scale

Another scale to harmonize that Barry Harris says everybody must know! Enjoy...

GuitarLayers lets you to harmonize a given scale in 4 steps:

1. Select Harmonization and choose a scale
2. Create a chord or arpeggio on the first scale degree
3. Select a String Set
4. Browse all the chords built on the next scale degrees
5. Repeat step 4 by selecting another string set, drop voicing or inversion

Find more on guitarlayers.com
... See MoreSee Less

The Barry Harris Minor 6th Dininished scale Another scale to harmonize that Barry Harris says everybody must know! Enjoy... GuitarLayers lets you to harmonize a given scale in 4 steps: 1. Select Harmonization and choose a scale 2. Create a chord or arpeggio on the first scale degree 3. Select a String Set 4. Browse all the chords built on the next scale degrees 5. Repeat step 4 by selecting another string set, drop voicing or inversion Find more on guitarlayers.comImage attachment
3 years ago

C Augmented (3 tonic scale) Harmonized

Finding 3 notes-chords movement by harmonizing automatically the C Augmented scale on string sets. 😎
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C Augmented (3 tonic scale) Harmonized Finding 3 notes-chords movement by harmonizing automatically the C Augmented scale on string sets. 😎

Comment on Facebook

Any expect. for Android ?

3 years ago

The Barry Harris' 6th Diminished Scale

The Barry Harris harmony approach is a way of thinking about jazz chords and melodies based on specific 8-note scales.
Instead of using the usual 7-note scales, 8-note scales provide a way for you to discover new and exciting chord voicings. You can use these to unlock cool scale secrets that you can use to build any chord in any key.
Try to harmonize that magical scale that Barry Harris says everybody must know!

GuitarLayers allows users to harmonize automatically the Barry Harris' Scale (and many others) on all String Sets, with all chord Inversions and Drop voicings (24 possible voicings for each 7th chord!) with just a few clicks.
Find more on guitarlayers.com
... See MoreSee Less

The Barry Harris 6th Diminished Scale The Barry Harris harmony approach is a way of thinking about jazz chords and melodies based on specific 8-note scales. Instead of using the usual 7-note scales, 8-note scales provide a way for you to discover new and exciting chord voicings. You can use these to unlock cool scale secrets that you can use to build any chord in any key. Try to harmonize that magical scale that Barry Harris says everybody must know! GuitarLayers allows users to harmonize automatically the Barry Harris Scale (and many others) on all String Sets, with all chord Inversions and Drop voicings (24 possible voicings for each 7th chord!) with just a few clicks. Find more on guitarlayers.comImage attachment
3 years ago

GuitarLayers 2.4.0 update is now available on the App Store!

New Scales added: available as presets and for automatic harmonization with chords or arpeggios:
Barry Harris Sixth Diminished Major; Barry Harris Sixth Diminished Melodic Minor; Messiaen 2nd Mode Truncated; Messiaen 3rd Mode; Messiaen 4th Mode Inverse; Messiaen 5th Mode; Messiaen 5th Mode Inverse; Messiaen 6th Mode; Messiaen 6th Mode Inverse; Messiaen 7th Mode; Messiaen 7th Mode Inverse; Major Hexatonic; Minor Hexatonic; Tritone;

New Instruments added:
Guitar 6 Strings D G C F Bb Eb (All Fourths); Guitar 6 Strings DGCFAD (OneToneDown) Guitar 7 Strings ADGCFAD; Mandolin 4 Strings G D A E; Mandolin 4 Strings G D G D; Mandolin 4 Strings G D G B; Mandolin 4 Strings G D A E;
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Comment on Facebook

Hope to see some day your app available on win/Android ! It's look very easy to use and perfect for educational stuff

3 years ago

Altered scale and II V I progression

Here are shown a D Dorian scale over a Dm7, a G Superlocrian scale over a G7 and a C Ionian scale over a Cmaj7.
Try to practice them by improvising over a C II V I backing track and then try to figure out the remaining scale shapes along the fretboard. 😉

All shapes, modes, layering, automatically obtained with GuitarLayers guitarlayers.com
... See MoreSee Less

Altered scale and II V I progression Here are shown a D Dorian scale over a Dm7, a G Superlocrian scale over a G7 and a C Ionian scale over a Cmaj7. Try to practice them by improvising over a C II V I backing track and then try to figure out the remaining scale shapes along the fretboard. 😉 All shapes, modes, layering, automatically obtained with GuitarLayers guitarlayers.com

Comment on Facebook

Alted(com.dim/holton/ridan7/alt dorian)

Big fan off ur thnx

3 years ago

Eric Gales Phrygian Dominant Sound

In a epic guitar duel with Joe Bonamassa, guitarist Eric Gales, over an E pedal, plays an E minor pentatonic mixed with a scale derived from the A Harmonic minor scale.
Here are the scale's notes on the fretboard with some interesting easy to play 3 notes-per-string patterns.
Check out the video and find your way to play these shapes! 😉

All shapes, NPS patterns and degrees generated automatically with guitarLayers guitarlayers.com
... See MoreSee Less

Eric Gales Phrygian Dominant Sound In a epic guitar duel with Joe Bonamassa, guitarist Eric Gales, over an E pedal, plays an E minor pentatonic mixed with a scale derived from the A Harmonic minor scale. Here are the scales notes on the fretboard with some interesting easy to play 3 notes-per-string patterns. Check out the video and find your way to play these shapes! ;) All shapes, NPS patterns and degrees generated automatically with guitarLayers guitarlayers.comImage attachment

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Does this translate to what he's doing in standard tuning? His lowest ring is on the bottom 🤔

E7(9- 11 13-) it's five in A min Harm

3 years ago

"I don’t see how it’s possible to have too much technique or knowledge.
I’m a big believer in knowing why you want to learn something, and I suspect that allotting practice time on that basis can help to solve many players’ blind alley problems." - Guthrie Govan
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I don’t see how it’s possible to have too much technique or knowledge. I’m a big believer in knowing why you want to learn something, and I suspect that allotting practice time on that basis can help to solve many players’ blind alley problems. - Guthrie Govan

Comment on Facebook

That Charvel neck!!

3 years ago

Major & Minor Pentatonic Overlapped

Here major and minor pentatonic scales overlapped in the same fretboard portion in order to visualize, compare and play them switching easily from major and minor or blending them as it usually happens in the blues.

All shapes and layering automatically obtained with guitarLayers guitarlayers.com
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Major & Minor Pentatonic Overlapped Here major and minor pentatonic scales overlapped in the same fretboard portion in order to visualize, compare and play them switching easily from major and minor or blending them as it usually happens in the blues. All shapes and layering automatically obtained with guitarLayers guitarlayers.com

Comment on Facebook

Still no android version 🤔

4 years ago

"Playing scales is like a boxer skipping rope or punching a bag. It's not the thing in itself; it's preparatory to the activity." - Barney Kessel ... See MoreSee Less

Playing scales is like a boxer skipping rope or punching a bag. Its not the thing in itself; its preparatory to the activity. - Barney Kessel

Comment on Facebook

Always liked Barney, quite a comedian as well !

Anas he looks like you brother 🙂

4 years ago

G Major Blues Scale

Despite its minor counterpart the Major Blues Scale is probably a bit less used. When mastered it produces a very bluesy elegant sound perfect for many major harmonic progressions, especially when it is tastefully combined with the Minor Blues Scale.

All shapes automatically obtained with guitarLayers guitarlayers.com
... See MoreSee Less

G Major Blues Scale Despite its minor counterpart the Major Blues Scale is probably a bit less used. When mastered it produces a very bluesy elegant sound perfect for many major harmonic progressions, especially when it is tastefully combined with the Minor Blues Scale. All shapes automatically obtained with guitarLayers guitarlayers.comImage attachment

Comment on Facebook

Wherever the major chord is? Just go back 3 frets and play pentatonic minor. Done. 🙂

Its just the pentatonic scale with a b5 as a passing tone.

Will this come to android? This is exactly the app I've been looking for to work my scales

So it is basically just a major pentatonic with a passing minor third..?

Major Pentatonic added #9

#9 or +9

This seems Keith richardsy

No b5? b7?

Jay Allan

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4 years ago

Minor Triad Arpeggio
5 basic + 10 Vertical shapes

Triads are fundamental music building blocks. Here are some Minor Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones.
All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇
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Minor Triad Arpeggio 5 basic + 10 Vertical shapes Triads are fundamental music building blocks. Here are some Minor Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones. All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇Image attachment

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bhai ye kya hai? Sandesh Sorate

4 years ago

Major Triad Arpeggio
5 basic + 10 Vertical shapes

Triads are fundamental music building blocks. Here are some Major Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones.

All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇 👇
... See MoreSee Less

Major Triad Arpeggio 5 basic + 10 Vertical shapes Triads are fundamental music building blocks. Here are some Major Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones. All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇 👇Image attachment
4 years ago

"Paul is human, you can relate to him. [...] Though he obviously has bags of inherent talent, he became that good because he practised, which gives hope to everybody. " - Jim Davies on Paul Gilbert ... See MoreSee Less

Paul is human, you can relate to him. [...] Though he obviously has bags of inherent talent, he became that good because he practised, which gives hope to everybody. - Jim Davies on Paul Gilbert
4 years ago

MODES: chord/scale mapping

Here some diagrams containing Dorian and Mixolydan shapes mapped respectively over some minor 7th and dominant 7th chord shapes along the fretboard.

All shapes, scale modes, layering automatically obtained with guitarLayers guitarlayers.com
... See MoreSee Less