Mixolydian vs Lydian Dominant (5 shapes)
Both useful to improvise over dominant chords with a different color, those two scale have six note in common. The following diagrams are useful to compare the two scales on the same fretboard portion in order to switch easily between the two. 👇👇👇
Scales, vertical shapes, intervals automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
Interesting contents, created automatically using GuitarLayers, by Carlos Vicent 😉 ... See MoreSee Less
Four-notes arpeggios inside the Major Scale
Four-notes diatonic arpeggios inside each one of the 12 major scale Vertical Shapes 👇👇👇
All diagrams, vertical shapes, scale harmonization automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
is this posted in the forum?
Thanks for sharing
Starting the day by harmonizing automatically a Diminished Half-Whole scale with triads 🤓 ... See MoreSee Less
where to buy software
The 1 2 5 7 chord structure
The 1 2 5 7 structure is one of the most beautiful modern-sounding structures, used by pop and jazz musicians, and it can work for a variety of chord qualities.
Here are a few interesting voicings and inversions.
All shapes, drop voicings, inversions on strings sets, and harmonic functions, automatically obtained with GuitarLayers. Currently available with a 50% off!
guitarlayers.com ... See MoreSee Less
For Windows 10?
Raphael Mbewe join this group
With GuitarLayers you can automatically obtain all the arpeggios that harmonize a given scale.
This allows you both to play the scale in a non linear-way and to hit chordal target notes inside the scale.👇👇👇 ... See MoreSee Less
C Altered Scale (Super Locrian)
Here the C Altered scale on the whole fretboard and with two oblique 4-3 NPS fingerings.
All shapes, intervals, parametric Note-per-String distributions automatically obtained with guitarLayers.
Currently available with a 50% off discount! guitarlayers.com ... See MoreSee Less
I have the program and I really like it. I use it to make charts with each note with a different color. Is there a way to set each note a certain color for all charts without having to redo it for each note for every chart?
Maestro ! quanto ci mancherai....
F Dominant pentatonic over Cm7
This works to play a minor pentatonic the with 6th instead of the 7th on a minor chord. Try these shapes on a Cm7 vamp. 😉
All shapes, modes of the scale, notes names, notes degrees automatically obtained with guitarLayers guitarlayers.com ... See MoreSee Less
How do you use them? I mean I can play those in a linear way but what can I do with them besides that.
Overlapping scales in the same fretboard portion:
the key factor to improvise effectively and naturally over chord changes! 😉 ... See MoreSee Less
Harmonize a given scale with chords, arpeggios, drop voicings and inversions 😎 ... See MoreSee Less
From D Dorian to G Super Locrian
two very common scales to play with, on a 2 5 1 progression.
😎😎😎 ... See MoreSee Less
Three Notes-per-String, Four Notes-per-String...
Custom Notes-per-String Shapes! 😎 ... See MoreSee Less
Chromatic Scale, two Octaves
Try to play it, up and down from A to A, the best way you can and then try to find other alternative fingerings and shapes to work on. 😉 ... See MoreSee Less
The Dominant Pentatonic
Dominant pentatonic is a widely used scale to add some different flavour to the minor pentatonic.Among the possibilities, it can be used, of course, in a bluesy context but also over specific chords. For example, you can use the C dominant pentatonic on a blues in G, or on either over a C7 or a Gm7 chord. Here five basic shapes and four very interesting 2-3 Notes-Per-Strings symmetric shapes.
Vertical Shapes, custom Notes-Per-String distribution, intervals map, automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
There's a lot of harmonic leeway over Dominant 7/mixolydian harmony; from the woozy West Side blues of Magic Sam to the mellow Memphis rock-a-billy of Scotty Moore to the snarly proto-metal of Link Wray.
Major Triad and Inversions on Two Strings
Although it is not so common to learn arpeggios of triads on two strings, by combining these building blocks we can obtain almost any more complex shape.
Here we have arpeggios with 1-2 Notes-Per-Strings (Red) and 2-1 NPS (Blue) on five string sets.
All Arpeggios and Inversions on String Sets, Notes-per-string distribution, Intervals map, automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
We know just one way to create and exploring new things on the guitar better than this one... and it is searching and playing them directly on the instrument. 😎
youtu.be/K8c-wVKZMxY ... See MoreSee Less
Happy Birthday Mr. Eric Longlife and more grace
Sir Eric Clapton 🎸👑
This video shows how to harmonize automatically a given scale, with 7th chords and inversions, with a few clicks.
See more videos on our website guitarlayers.com ... See MoreSee Less
How to obtain Vertical Shapes for scales and arpeggios with guitarLayers 👇👇👇 ... See MoreSee Less
Hi, how are you? Any predictions for Guitar Layers being released for iOS? Thank you.
Open Triads and related String Sets with GuitarLayers 👇👇👇 ... See MoreSee Less
This 1-minute video shows how to manage multiple fretboards projects with Guitarlayers. 👇👇👇 ... See MoreSee Less
Seven shapes, 3 Notes-Per-String. Each Shape... all 7 Modes! 😉
Each shape, works for all seven modes. Every mode has its own degrees map.
You can hear the right sound of each mode by playing these shapes over a bass pedal with the same root of the mode’s root. Different shapes will sound identical as they contain the same notes.
In addition you can ear the characteristic sound of each mode by placing its tensions on the strong beats of the measure so they are not perceived as passing tones and loose their harmonic value.
3NPS shapes, Modes and intervals map, automatically obtained with guitarLayers. guitarlayers.com. ... See MoreSee Less
This shape is one distributed like a bullets in a revolver with infinite chambers and rounds... It is the same... You just shoot and empty chamber by chamber...
Make one with the arpegios, target notes as well and its gonna be perfect 🧛♂️
You got it Right 👌👍
Very useful. Thank you.
MODES ARE NOT SHAPES
This video shows how to obtain modes of a given scale with GuitarLayers 👇👇👇 ... See MoreSee Less
“I like to watch the news, because I don't like people very much and when you watch the news ... if you ever had an idea that people were really terrible, you could watch the news and know that you're right.” - Frank Zappa ... See MoreSee Less
Mit dem zweiten sieht man besser 😊
Five Shapes. Each Shape... 7 Modes!
A very useful map about Major Scale's Modes. Five basic shapes showing scale's degrees.
Stay tuned for the seven 3 Notes-per-string map, same concept 😉
All Shapes, modes, degrees map, automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
Mixolydian Pentatonic Scale
The Mixolydian Pentatonic Scale is a less known scale but widely used by guitarists like Eric Johnson, Robben Ford, Joe Bonamassa and Eric Gales just to mention a few. It works very well when used over Dom7 chords.
Here some useful Vertical Shapes and 2-3 Notes-Per-String Shapes.
This scale has been automatically shaped with the GuitarLayers Vertical Shapes and Notes-Per-Strings functions. guitarlayers.com ... See MoreSee Less
The Barry Harris' Minor 6th Dininished scale
Another scale to harmonize that Barry Harris says everybody must know! Enjoy...
GuitarLayers lets you to harmonize a given scale in 4 steps:
1. Select Harmonization and choose a scale
2. Create a chord or arpeggio on the first scale degree
3. Select a String Set
4. Browse all the chords built on the next scale degrees
5. Repeat step 4 by selecting another string set, drop voicing or inversion
Find more on guitarlayers.com ... See MoreSee Less
C Augmented (3 tonic scale) Harmonized
Finding 3 notes-chords movement by harmonizing automatically the C Augmented scale on string sets. 😎 ... See MoreSee Less
Any expect. for Android ?
The Barry Harris' 6th Diminished Scale
The Barry Harris harmony approach is a way of thinking about jazz chords and melodies based on specific 8-note scales.
Instead of using the usual 7-note scales, 8-note scales provide a way for you to discover new and exciting chord voicings. You can use these to unlock cool scale secrets that you can use to build any chord in any key.
Try to harmonize that magical scale that Barry Harris says everybody must know!
GuitarLayers allows users to harmonize automatically the Barry Harris' Scale (and many others) on all String Sets, with all chord Inversions and Drop voicings (24 possible voicings for each 7th chord!) with just a few clicks.
Find more on guitarlayers.com ... See MoreSee Less
GuitarLayers 2.4.0 update is now available on the App Store!
New Scales added: available as presets and for automatic harmonization with chords or arpeggios:
Barry Harris Sixth Diminished Major; Barry Harris Sixth Diminished Melodic Minor; Messiaen 2nd Mode Truncated; Messiaen 3rd Mode; Messiaen 4th Mode Inverse; Messiaen 5th Mode; Messiaen 5th Mode Inverse; Messiaen 6th Mode; Messiaen 6th Mode Inverse; Messiaen 7th Mode; Messiaen 7th Mode Inverse; Major Hexatonic; Minor Hexatonic; Tritone;
New Instruments added:
Guitar 6 Strings D G C F Bb Eb (All Fourths); Guitar 6 Strings DGCFAD (OneToneDown) Guitar 7 Strings ADGCFAD; Mandolin 4 Strings G D A E; Mandolin 4 Strings G D G D; Mandolin 4 Strings G D G B; Mandolin 4 Strings G D A E; ... See MoreSee Less
Hope to see some day your app available on win/Android ! It's look very easy to use and perfect for educational stuff
Altered scale and II V I progression
Here are shown a D Dorian scale over a Dm7, a G Superlocrian scale over a G7 and a C Ionian scale over a Cmaj7.
Try to practice them by improvising over a C II V I backing track and then try to figure out the remaining scale shapes along the fretboard. 😉
All shapes, modes, layering, automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
Big fan off ur thnx
Eric Gales Phrygian Dominant Sound
In a epic guitar duel with Joe Bonamassa, guitarist Eric Gales, over an E pedal, plays an E minor pentatonic mixed with a scale derived from the A Harmonic minor scale.
Here are the scale's notes on the fretboard with some interesting easy to play 3 notes-per-string patterns.
Check out the video and find your way to play these shapes! 😉
All shapes, NPS patterns and degrees generated automatically with guitarLayers guitarlayers.com ... See MoreSee Less
"I don’t see how it’s possible to have too much technique or knowledge.
I’m a big believer in knowing why you want to learn something, and I suspect that allotting practice time on that basis can help to solve many players’ blind alley problems." - Guthrie Govan ... See MoreSee Less
That Charvel neck!!
Major & Minor Pentatonic Overlapped
Here major and minor pentatonic scales overlapped in the same fretboard portion in order to visualize, compare and play them switching easily from major and minor or blending them as it usually happens in the blues.
All shapes and layering automatically obtained with guitarLayers guitarlayers.com ... See MoreSee Less
Still no android version 🤔
"Playing scales is like a boxer skipping rope or punching a bag. It's not the thing in itself; it's preparatory to the activity." - Barney Kessel ... See MoreSee Less
Always liked Barney, quite a comedian as well !
Anas he looks like you brother 🙂
G Major Blues Scale
Despite its minor counterpart the Major Blues Scale is probably a bit less used. When mastered it produces a very bluesy elegant sound perfect for many major harmonic progressions, especially when it is tastefully combined with the Minor Blues Scale.
All shapes automatically obtained with guitarLayers guitarlayers.com ... See MoreSee Less
Wherever the major chord is? Just go back 3 frets and play pentatonic minor. Done. 🙂
Its just the pentatonic scale with a b5 as a passing tone.
Will this come to android? This is exactly the app I've been looking for to work my scales
So it is basically just a major pentatonic with a passing minor third..?
Major Pentatonic added #9
#9 or +9
This seems Keith richardsy
No b5? b7?
Minor Triad Arpeggio
5 basic + 10 Vertical shapes
Triads are fundamental music building blocks. Here are some Minor Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones.
All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇 ... See MoreSee Less
bhai ye kya hai? Sandesh Sorate
Major Triad Arpeggio
5 basic + 10 Vertical shapes
Triads are fundamental music building blocks. Here are some Major Triad Arpeggio shapes from the 5 CAGED to the 10 VERTICAL ones.
All shapes obtained automatically with guitarLayers guitarlayers.com 👇 👇 👇 ... See MoreSee Less
"Paul is human, you can relate to him. [...] Though he obviously has bags of inherent talent, he became that good because he practised, which gives hope to everybody. " - Jim Davies on Paul Gilbert ... See MoreSee Less
MODES: chord/scale mapping
Here some diagrams containing Dorian and Mixolydan shapes mapped respectively over some minor 7th and dominant 7th chord shapes along the fretboard.
All shapes, scale modes, layering automatically obtained with guitarLayers guitarlayers.com ... See MoreSee Less
Cool. Too bad there's no windows version.
Matteo Mancuso killer lick on the Diminished Scale
This video shows young iper-talended guitarist Matteo Mancuso on his introductory lick on "The Chiken". Matteo combines a typical 4th’s pattern on the diminished h/w scale with some arpeggios built with the notes of the scale. The result, empowered by Matteo’s astonishing natural technicque and musical feeling, is insane!
Stay tuned for the full article.
Matteo uses guitarLayers and is a guitarLayers artist. guitarlayers.com ... See MoreSee Less
Grande Matteo !!
Minor (Maj7) Arpeggio
12 Vertical Shapes
All shapes automatically obtained with GuitarLayers guitarlayers.com ... See MoreSee Less
Any IOS or Windows version planed ?
Funny I just discovered the beauty if Min/Maj7 and now this!
Half Diminished Arpeggio
All shapes obtained automatically with GuitarLayers guitarlayers.com ... See MoreSee Less
Always wondering what these Chords/arpeggios were called. Benny Weinman from The Dillinger Escape Plan uses them alot!
Voice Leading on Stella by Starlight
A great video tutorial about voice leading using Drop 2 and no Drop voicing by Italian jazz guitarist Fabrizio Brusca. All voicings in this video are automatically generated with guitarLayers. Fabrizio is a very good musician and advanced GL user. Enjoy! ... See MoreSee Less
En esta ocasión te propongo aprender a utilizar la vieja escala pentatónica menor para conseguir diferentes sonoridades. Ello implica ubicarla a diferentes distancias de la fundamental y sobre todo, aprender a frasear de un modo diferente y a resolver en la nota deseada. Hay muchísimo por aprender aquí! Lección completa con esta y más opciones en el Blog:
carlosvicentblog.com/2015/02/09/multiplicando-la-pentatonica-menor-por-12/ ... See MoreSee Less
Guitar Layer for PC Please!! 🙏